Monday, December 21, 2015

Strange Galaxy is Coming Soon

My Strange Galaxy is not Star Trek: humanity is celebrated but not as humanism. My Strange Galaxy is not Star Wars: providence is not an impersonal Force balanced by being divided against itself. My Strange Galaxy is not Dr. Who: it is not social commentary. My Strange Galaxy is not Mass Effect: individuality, not diversity, is the Paragon path.

The great space operas are worthy of their greatness. Star Trek inspires technology. Star Wars makes us mindful of good and evil. Dr. Who gives us a look at reality from an outside perspective. Mass Effect encourages us to come together for the common good.

Strange Galaxy is a wonderful space opera… but it is not yet great. For all its fiction, art, games and music it is an obscurity. It does not languish, mind you. There is freedom in being unknown. Strange Galaxy grows according to inspiration whereas the greats are bound to the whims of the uninspired.

I am striving to make Strange Galaxy great. Yes, I shall mourn the loss of liberty but alas, light must shine if it is to be more than darkness. I have much to say and say it in the telling of Strange Galaxy. The brilliance must glare for all to see.

Strange Galaxy is a space opera without spaceships. Magic is not in the guise of something else. Swords and guns are equals but not in the same hands. There is continuity but not as a particular story. The fate of the universe is not decided by singular adventures. The characters are not a specific cast.

Strange Galaxy is a fictional world of many worlds as a real world. The characters, human or otherwise, are personalities living their lives for better or worse. The wars are practical ventures, even if waged ineptly, for resources and influence. The struggles of good against evil are those rare moments of individual courage and gumption.

The space opera is the fantasy genre set in an interstellar fairyland. The magic is “science” and the fairies are “aliens” but despite the pretense the stories are fairy tales. I am not a pretender. Though my Strange Galaxy is fictional, it is not disingenuous. It is imagination in all sincerity. Enjoy.

Friday, December 11, 2015

The Nurse and Pyramid Head

Silent Hill is a game that became more than a game. One of its weaker monsters became more than forgettable cannon-fodder. One of its lesser bosses became the greatest of them all.

The Nurse was introduced as little more than a living zombie but became a mainstay; as a faceless monster with shapely curves in a miniskirt. Her hunched posture was replaced with twitchy spasms. Originally envisioned as a native of our world lost to the madness of an unreality, she became indigenous to that unreality.

Pyramid Head was just a secondary boss bound to the storyline of the first sequel yet he broke loose and became the poster boy for the franchise. Originally intended to come and go in one game, he somehow became our everlasting bogeyman.

Conscientious malcontents may dismiss the Nurse as only memorable because she is sexy… though most things sexy are forgotten. The irony that she is as grotesque as she is comely and as monstrous as she is feminine is a fine balance not to be taken for granted.

Supposed experts may cite that “Pyramid Head” is not the character’s real name. They may remind us that there were three of him and he was nothing more than a figment of one character’s guilt. Alas, the fictional Otherworld of Silent Hill would be at a loss without him.

That which is excellent is that which exceeds what is expected. That the Nurse and Pyramid Head are memorable and inspiring is irrefutable whether you like them or not. They were little fish in a big pond that ate the bigger fish. They have proven their excellence.